With nearly 20 years in the camera department, Case has built a reputation for precision, adaptability, and keeping the camera rolling under any conditions. As a First Assistant Camera (1st AC), he’s pulled focus across features, reality TV, live shows, docu-series, commercials, music videos, and branded content.
Now based in Atlanta, Case is deeply embedded in the city’s booming production scene. He’s supported top-tier DPs on everything from handheld chaos to studio builds, car rigs, and drone work. Calm under pressure, he stays two steps ahead, keeps the team tight, and delivers clean results with minimal friction.
Case built his first personal portfolio site in 2014—self-taught, just figuring it out. By 2018, after launching his first business, he had to learn everything solo—including web design. No budget, no help, just necessity and late nights. That experience turned into a skillset: clean UX, solid SEO, and websites that actually work.
Since then, he’s designed and launched sites for creatives, small businesses, and niche brands—all built with clarity, function, and the same eye for detail he brings to set.
"First Assistant Camera" - Definition
Pronunciation: /fərst/ /əˈsistənt/ /ˈkam(ə)rə/
"A focus puller, or first assistant camera, is a member of a film crew’s camera department whose primary responsibility is to maintain image sharpness on whatever subject or action is being filmed... As such, the role of a focus puller is extremely important within the realm of a film production; a “soft” image will, in most circumstances, be considered unusable, since there is no way to fix such an error in post-production. One must also consider that an actor may not be able to duplicate his or her best performance in a subsequent take, so the focus puller is expected to perform flawlessly on every take. Because of these factors, some production personnel consider the focus puller to have the most difficult job on set." - www.definitions.net